My Cart

Close

AFTERPAY & ZIPPAY AVAILABLE | FREE EXPRESS POSTAGE ON ORDERS OVER $100*

The Original Rider Waite Tarot

$49.00
Deck Options

Rider-Waite Tarot has set the standard for hundreds of other tarot decks, which follow the archetypal images created by Pamela Colman Smith in 1909 under the direction of Arthur Edward Waite. This edition includes Smith’s original hand drawn titles.

"A unique feature of the Rider-Waite deck, and one of the of the principal reasons for its enduring popularity, is that all of the cards, including the Minor Arcana, depict full scenes with figures and symbols. Prior to the Rider-Waite Tarot, the pip cards of almost all tarot decks were marked only with the arrangement of the suit signs -- swords, wands, cups, and coins, or pentacles. The pictorial images on all the cards allow interpretations without the need to repeatedly consult explanatory text. The innovative Minor Arcana, and Pamela Colman Smith's ability to capture the subtleties of emotion and experience have made the Rider-Waite Tarot a model for the designs of many tarot packs." -- (from The Encyclopedia of Tarot, Volume III)

Rider-Waite Tarot was named one of the Top Ten Tarot Decks of All Time by Aeclectic Tarot.

Pamela Colman Smith
Born February 16, 1878, in Middlesex, England to American parents, Smith's childhood years were spent between London, New York, and Kingston, Jamaica. During her teens, she traveled throughout England with the theatre company of Ellen Terry and Henry Irving. Thereafter, she began formal art training at Pratt Institute of Brooklyn, graduating in 1897.

Smith returned to England, where she became a theatrical designer for miniature theatre, and an illustrator -- mainly of books, pamphlets and posters. Around 1903, she joined the Order of the Golden Dawn. In 1909, under the guidance of Arthur Edward Waite, she undertook a series of seventy-eight allegorical paintings described by Waite as a rectified tarot pack. The designs, published in the same year by William Rider and Son, exemplify the mysticism, ritual, imagination, fantasy, and deep emotions of the artist.

Arthur Edward Waite
Born in America in 1857, Waite was raised and educated as a Catholic in England. Beginning at the age of 21, Waite pursued research and writing on psychical and esoteric matters. Soon after joining the Hermetic Order of the Golden Dawn, he became the Grand Master, and redirected the focus of the order from magic to mysticism. The Golden Order, whose structural hierarchy was based on the Kabbalah, is considered the single greatest 20th century influence on the occult. Waite was a prolific author of occult texts, works on the Holy Grail, and the body of mystical knowledge, which comprises the basis of modern Tarot. He is best known as the co-creator of the Rider-Waite Tarot deck and author of its companion volume The Pictorial Key to the Tarot, first published in 1910.

 

Tarot Deck

First issued in 1910, the Rider-Waite Tarot is almost certainly the most widely used tarot card deck in the world. There are 78 tarot cards, divided into the Major and Minor Arcanas, designed by Pamela Colman Smith in accordance with A. E Waite's instructions. An instructional booklet by A. E. Waite is included, explaining the tarot card meanings and how to use the cards for divination, with an introduction by Stuart R. Kaplan.

Book & Deck Pack

First issued in 1910, this pack contains almost certainly the most widely used Tarot deck in the world, along with an invaluable instructional book, THE KEY TO THE TAROT, which explains the history and usage of the cards of which there are 78 divided into the Major and Minor Arcanas. The book can be used in conjunction with any set of tarot cards, but it was written in particular to accompany the 78-card Rider Waite Tarot Deck which was designed by Pamela Colman Smith in accordance with A. E Waite's instructions. THE KEY TO THE TAROT explains the history and symbolism of the cards and gives instructions on how to use them for purposes of divination. This edition includes a specially commissioned foreword by Liz Greene.